BirchLane.net

September 2005

Friday 30

Resumes sent. Meanwhile, unemployment insurance plus a few portraits and a wedding, might help me make it through the month; pay October rent and give money to Betsy.

And for Good News: Tonight, on TCM:

A great many directors, when asked to name their favourite film-maker, invoke the name of Luis Buñuel. It isn't surprising, since he was undoubtedly a genius who had the invaluable capacity to offend and delight at the same time. You could choose any of a dozen of his films as one of the best 100. Viridiana is my choice, since it caused the maximum annoyance to people one is quite glad to see offended.
 
It was made in Spain in 1960 after Franco had told his minister of culture to invite the country's leading film-maker back from exile in Mexico to make whatever film he liked. But once he completed it, Buñuel sensibly decamped, deliberately leaving a few out-takes behind to be instantly burned by the authorities.

The film was, of course, banned outright in Spain and the minister reprimanded for passing the script. But it won the Palme D'Or at Cannes, despite protests about it representing Spain and articles in l'Osservatore Romano, the Vatican's official organ, saying it was an insult not just to Catholicism but to Christianity itself.

That was exactly what Buñuel intended. He had long ago lost his faith and Viridiana was the score he had to settle with the Catholic Church, for its support of Franco and what he considered to be many other sins. "I hope I don't go to hell", he once said, "imagine the table talk of all those popes and cardinals".

Viridiana, played by Silvia Pinal, is a young nun about to take her final vows. She's so devout that she wears a crown of thorns and a large wooden crucifix hangs over her bed. Unfortunately her uncle (the great Spanish actor Fernando Rey) is hopelessly obsessed with her and gets his servant to drug her. Seduction is beyond him though, and he hangs himself in a fit of guilt after telling her that he had deflowered her.

Disorientated by these strange events, she invites a band of beggars to live in her uncle's old crumbling estate, hoping to reclaim them, and possibly herself, through prayer and charity. They have different ideas, however, and take over the house for an orgy. One of them even rapes her. Totally disillusioned (like Buñuel), she plays a game of cards, to the strains of Shake Your Cares Away, with her uncle's illegitimate son and the servant who is his mistress. The game ends is a kind of menage à trois.

Sequence after sequence of this extraordinary film - incredibly Spanish and yet incredibly offensive to conservative Spaniards - show both Buñuel as a master film-maker, telling a story that is simultaneously simple and sophisticated. The scene in which Viridiana piously collects her beggars, each more ugly or deformed than the next, and their singing of the Angelus as a rubbish truck thunders by, is later contrasted with their ungrateful party in the villa. A leper dresses as a bride and the company are suddenly frozen into a replica of da Vinci's Last Supper (to the crackling strains of Handel's Hallelujah Chorus on the gramophone, which continues as the nun is molested).

This, suggests Buñuel, is what happens to saints - their virtue is thrown back in their faces. People, and the world, cannot be changed, and acceptance of things as they are is the only course.

People have said that Buñuel was first and foremost a Spaniard and then a surrealist, and it is no accident that the ending of Viridiana resembles that of L'Age d'Or, his great surrealist masterpiece made 30 years previously. But there's a despair about this film which wasn't in that earlier work.

"I should like", he once famously said, "to make even the most ordinary spectator feel that he is not living in the best of all possible worlds". The forces of darkness, he suggests, await us all. The perfect candidate for Prozac then. But then we would never have had Viridiana, one of the great feel bad movies of all time.

~By Derek Malcolm
Thursday April 1, 1999
The Guardian

Thursday 29

Wednesday 28

A Triangle. The job market in Western Massachusetts is as barren as this playground.

Tuesday 27

Monday 26

Sunday 25

Here I Am, Lord.

In church  the choir sang:

Here I am, Lord, Is it I Lord? I have heard You calling in the night
I will go, Lord, If You lead me I will hold Your people in my heart.

I the Lord of sea and sky,I have heard my people cry
All who dwell in dark and sin, My hand will save,
I who made the stars of night I will make their darkness bright
Who will bear my light to them,Whom shall I send?

I, the Lord of snow and rain, I have borne my people's pain
I have wept for love of them They turn away
I will break their hearts of stone Give them hearts of love alone
I will speak my word to them, Whom Shall I send?

I, the Lord of wind and flame I will tend the poor and lame
I will set a feast for them, My hand will save
Finest bread I will provide Till their hearts be satisfied
I will give my life to them, Whom shall I send?

~Schutte/Sherman

Hellen van Meene

Mona Kuhn

Saturday 24

"Our doubts are traitors, and make us lose the good we oft might win, by fearing to attempt"
- William Shakespeare, Measure for Measure, Act i, Sc.5

Sally Curcio

Anne Day

Friday 23

Three.

The work of painter, musician, mystic and filmmaker Sergei Paradjanov (1924-1990) constantly defies categorisation. His films are notable for their lyrical inspiration and great aesthetic beauty, but riled the Soviet authorities to such an extent that Paradjanov faced constant harrassment throughout his life. Like his earlier film, Shadows of Our Forgotten Ancestors (1965), The Colour of Pomegranates was banned. Shadows, a tale of love and betrayal in a C19th Carpathian village, infuriated the authorities with its "decadent" formalism and political symbolism and, when The Colour of Pomegranates was eventually given a half-hearted release in 1972, it was in a heavily censored version.

Ostensibly a biopic of rebellious 18th century Armenian poet Sayat Nova, The Colour of Pomegranates follows the poet's path from his childhood wool-dying days to his role as a courtier and finally his life as a monk. But Armenian director Sergei Paradjanov warns us from the start that this is no ordinary biopic: "This is not a true biography," he has his narrator state during the opening credits

The lamps are different,
But the Light is the same.
So many garnish lamps in the dying brain's lamp-shop,
Forget about them.
Concentrate on the essence, concentrate on the Light.
In lucid bliss, calmly smoking off its own holy fire,
The Light streams towards you from all things,
All people, all possible permutations of good, evil,
thought, passion.
The lamps are different,
But the Light is the same.
One matter, one energy, one Light, one Light-mind,
Endlessly emanating all things.
One turning and burning diamond,
One, one, one.
Ground yourself, strip yourself down,
To blind loving silence.
Stay there, until you see
You are gazing at the Light
With its own ageless eyes.

~Rumi

Thursday 22

Me. My buddy, Marc, one of the owners of the photography studio where I work, photographed me tonight.

Earlier in the day I edited another photographed of Sarah.

Wednesday 21

Games. I went to Daryls soccer game today. I never know where to sit or stand at these games. The question is: Do I watch the game alone or sit in the stands with other parents--and Betsy? Lately, I feel alone. Or lonely. And as much as there is a side of me that wants to be among people, there is another that wants to be alone. I must get out. This I know.

The soccer ball rolled away from the little girl and she sat on the track and cried softly, "Daddy. Daddy."

From the newspaper: Time Gleason scored both goals and Daryl Barone had both assists as the Blue Devils rallied to tie..."

Tuesday 20

Regarding Photography. Although work at the studio has slowed down, we still take hundreds of photos on any given day. Sadly, we never get to see them--except on the back of the camera. Sometimes though, you might meet a mom and her daughter, or son, in the studio lobby, portfolio in hand. This happened to me today. A high school senior and her mom from Hadley; or Hatfield. I remembered the girl with the long, red curly hair and asked if I could have the pleasure of seeing her portfolio. Certainly the mom said. And as I turned the pages she pointed out four photos of her daughter that I took; four images, four 8 x 10's that they were here today to order. This made my day.

And this:

"Do not fail to draw something every day, for no matter how
little, it will do you a world of good." (Cennino Cennini)

"You can never do too much drawing." (Tintoretto)

Monday 19

Rewind.

(insert poem here)

Believer Magazine

 

Heather Sky Fulton

Sunday 18

About Water.

 

 

 

Christopher Lovenguth

Saturday 17

Wedding Photographer Gary Fong. And Storybook Weddings.

Ernst Haeckel

Friday 16

Hafiz once said... "all your joys and suffering along this arduous path are lifting your worn veil like a rising stage curtain..."

When I woke this morning I learned that Robert Wise died yesterday: editor of Citizen Kane, director of West Side Story, The Sound of Music, and, among others,  the 1951 classic, The Day The Earth Stood Still.

Gort, Klaatu barada nikto.

 "Klaatu was no angel," writes my brother.

My studio is my spaceship.
Gort, Klaatu barado nikto.
When I was little I was scared
of The Invasion of The Body Snatchers.
I kissed Susan Goldberg in fifth grade
in Debby Feingold's garage. I loved
the Beach Boys when I was little.
When I was little I almost died;
I have two belly buttons to prove it.
I have not had a peanut butter & jelly sandwich
in a long time. When I was little my mom made
tuna fish & egg salad sandwiches for me.
When I was in high school my friends
thought I was going to be a major league
baseball player. When I was little I was
a New York Yankees fan. I am now
a Boston Red Sox fan but I have not
told my dad. I love my middle name.
When I was little I was afraid of what
was in the closet, in a box, on the shelf.
But I am not afraid of the dark.

Yesterday someone said the sky was filled with "dirty clouds." Today the sky is gray. The mountain out the window is dotted with muted reds and oranges. Haze. Restless all day.

I have wanting to take this photo for months for a photographer friend in Russia. I did; this morning:

Thursday 15

Today.

A few minutes after 7:00 a.m.

Wednesday 14

Cultural Creative. A few months ago I met the president of Evolution Media Group at an art opening in Northampton. I was looking at the company website this morning and found this:

"If you agree with 10 or more of the following statements, you are probably a Cultural Creative. You are likely to be a Cultural Creative if......

  • You love nature and are deeply concerned about its destruction.
     
  • You are strongly aware of the problems of the whole planet (global warming, destruction of rain forests, overpopulation, lack of ecological sustainability, exploitation of people in poorer countries) and want to see more action to address these problems coming from the private sector as well as government agencies.
     
  • You would pay more taxes or would pay more for consumer goods if you knew the money would go to clean up the environment and stop global warming.
     
  • You give a lot of importance to helping other people and bringing out their unique gifts.
     
  • You volunteer for one or more good causes.
     
  • You see religion and spirituality as important in your life.
     
  • You want more equality for women at work, and more women leaders in business and politics.
     
  • You are concerned about violence and the abuse of women and children around the world.
     
  • You want politics and government spending to put more emphasis on children's education and well-being, on rebuilding our neighborhoods and communities, and on creating an ecologically sustainable future.
     
  • You are unhappy with both the left and the right in politics, and want to find a new way that is not in the mushy middle.
     
  • You tend to be rather optimistic about our future and distrust the cynical and pessimistic view so often supported by the media.
     
  • You want to be involved in creating a new and better way of life in our country.
     
  • You are concerned about what big corporations are doing in the name of making more profits: downsizing, creating environmental problems, and exploiting poorer countries.
     
  • You have your finances and spending under control, and are not concerned about overspending.
     
  • You dislike all the overemphasis in modern culture on success and “making it”, on getting more and spending more, on wealth and luxury goods.
     
  • You like people and places that are exotic and foreign, and like experiencing and learning about other ways of life.

Excerpted from The Cultural Creatives: How 50 Million People Are Changing The World, Paul H. Ray, Ph.D. and Sherry Ruth Anderson Ph.D.© 2000, Third River Press.

Some good news: Some people--those soon to be married--have been inquiring about my wedding photography.

He is richest who is content with the least, for content is the wealth of nature.
-- Socrates

Tuesday 13

You Tube

Monday 12

Concern.  Last week I worked approximately twenty hours at the photography studio. This week I am scheduled for a baker's dozen. Today I searched for work to replace these lost hours and if one was to comment on the state of the economy by observing the diminishing number of job postings on Monster, Career Builder, Hot Jobs, and Craigslist, one might conclude that the economy is sinking fast.

Meanwhile, I do have a wedding to shoot on October ninth. And I am the only photographer at a pre-wedding get-together at the restaurant in my building--The Apollo Grill. And the bridal guide in which I have an advertisement comes out in two weeks.

But this is long-range planning and I am concerned about today.

And, yet, to smile, all I needed to do was remember how Danielle made me laugh today; or the mom in the studio this past Saturday who cried from pure joy when she saw the photos of her daughter.

Mike Disfarmer

Ian MacEachern

Romain Lienhardt

Sunday 11

One Year Ago and Today.

One year ago, today, this hot-air balloon appeared out my window and this morning as I was editing this photo below, I once again heard the sound of a balloon.

And this is what I saw and from the red balloon a voice called "Bruce, Bruce." My friend, Victor.

Three more

Brian (an artist and internet friend) and his brother, Greg, visited me for the first-time Saturday night. I was tired from a long day in the studio (But I can't complain; my hours this week have been cut to a baker's dozen and this a job, which I was told would last until November, looks to be ending and forcing me to find a new job.) and I hope I was a good host. I gave them a tour of Studio19 and we talked about art and photography for two and one-half hours. The photos were taken on Sunday.

Two more:

Brian photographed me, too:

Early afternoon found me and Bee, another internet friend and now a student at Mount Holyoke College, in a beautiful field in South Hadley, Massachusetts; a private place; a quiet place; hidden in a backyard;  a place an internet artist friend told me about and encouraged me to visit; "Thorned Womb;"

"What's that on the top of the hill," Bee asked. After sitting in "Thorned Womb," I suggested we visit that white building on the top of the hill: Skinner State Park.

From the Summit House there is a spectacular view of the fertile valley and the Connecticut River.

Some of the rooms inside the Summit House are still furnished and decorated as they might have been when Joseph Allen Skinner, the wealthy industrialist, vacationed there. Bee exclaimed that the poor woman in one of rooms was missing a few fingers. New to the Pioneer Valley, I thought she, Bee and not the woman with the missing fingers, might enjoy a short visit and hike around Fitzgerald Lake in Northampton.

At Fitzgerald Lake we found a surface covered in green algae at one end and water-lilies at the other.

And I promised that in a few weeks time it would like this:

Saturday 10

If I could do it, I 'd do no writing at all here. It would be photographs; the rest would be fragments of cloth, bits of cotton, lumps of earth, records of speech, pieces of wood and iron, phials of odors, plates of food......

~James Agee, Let Us Now Praise Famous Men

Friday 09

Solitary. I went to a friend's art opening tonight in Northampton and I felt so out-of-place in the city. Outside of my work in the studio, I have been living a very solitary life. I couldn't wait to get back home.

Thursday 08

Early morning images:

The mountain outside my window.

The pond behind where I live:

Wednesday 07

Tuesday 06

Life Lessons: Opportunities to Grow. Online:

While we may not recognize it at the time, every challenge we face is ultimately an opportunity to bring more love and higher consciousness into our lives. The obstacles we encounter every day - whether great trials or minor bumps in the road - provide us an opportunity to learn and to grow. By placing obstacles in our path, the universe focuses our attention on life lessons that, on a deeper level, we wish to comprehend more fully. If we choose to, we can view any disharmony in our daily lives as an invitation to shed an old belief or behavior pattern in favor of a more enlightened one.

The challenge is to recognize the lesson being offered by a given situation. Often we learn about a positive quality by experiencing its opposite. An impulse toward anger may teach us about love or acceptance. A sense of constraint may teach us about freedom. A situation that appears beyond our control may prompt us to discover our own role in its creation. The lessons presented to us may encourage us to develop soul qualities such as humility, patience, or forgiveness.

Sometimes we are too involved in our present difficulty to find that higher perspective is more easily recognized in hindsight. Yet this doesn't mean we are without the tools to deal with it. Regardless of the size and nature of your difficulty, an attitude of love and gratitude will move you through it more easily and bring resolution more quickly. When difficulties arise, hold a loving thought for yourself and for whoever else is involved. Challenge yourself to find something in the situation to be grateful for, no matter how small, and thank the universe for it. This shift in attitude will shift the situation and your perspective, and it will bring you closer to that deeper understanding your soul is seeking on your behalf. Life lessons don't always come packaged the way we expect them to, and it is sometimes these lessons that ultimately bring us the greatest joy.

Monday 05

Autumn. A friend wrote this morning about the approaching autumn; "It's almost my time of year." I e-mailed her this photo:

She then e-mailed me a Larry Levis poem. I had never heard of him. I will now not forget him.

Perhaps the ankle of a horse is holy.

Crossing the Mississippi at dusk, Clemens thought
Of a sequel in which Huck Finn, in old age, became
A hermit, & insane. And never wrote it.

And perhaps all that he left out is holy.

The river, anyway, became a sacrament when
He spoke of it, even though
The last ten chapters were a failure he devised

To please America, & make his lady
Happy: to buy her silk, furs, & jewels with

Hues no one in Hannibal had ever seen.

There, above the river, if
The pattern of the stars is a blueprint for a heaven
Left unfinished,

I also believe the ankle of a horse,
In the seventh furlong, is as delicate as the fine lace
Of faith, & therefore holy.

I think it was only Twain's cynicism, the smell of a river
Lingering in his nostrils forever, that kept
His humor alive to the end.

I don't know how he managed it.

I used to make love to a woman, who,
When I left, would kiss the door she held open for me,
As if instead of me, as if she already missed me.
I would stand there in the cold air, breathing it,
Amused by her charm, which was, like the scent of a river,

Provocative, the dusk & first lights along the shore.
Should I say my soul went mad for a year, &
Could not sleep? To whom should I say so?

She was gentle, & intended no harm.

If the ankle of a horse is holy, & if it fails
In the stretch & the horse goes down, &
The jockey in the bright shout of his silks
Is pitched headlong onto
The track, & maimed, & if later, the horse is
Destroyed, & all that is holy

Is also destroyed: hundreds of bones & muscles that
Tried their best to be pure flight, a lyric
Made flesh, then

I would like to go home, please.

Even though I betrayed it, & left, even though
I might be, at such a time as I am permitted
To go back to my wife, my son -- no one, or

No more than a stone in a pasture full
Of stones, full of the indifferent grasses,

(& Huck Finn insane by then & living alone)

It will be, it might be still,
A place where what can only remain holy grazes, &
Where men might, also, approach with soft halters,
And, having no alternative, lead that fast world

Home -- though it is only to the closed dark of stalls,
And though the men walk ahead of the horses slightly
Afraid, & at times in awe of their
Quickness, & how they have nothing to lose, especially

Now, when the first stars appear slowly enough
To be counted, & the breath of horses makes white signatures

On the air: Last Button, No Kidding, Brief Affair --

And the air is colder.


(from Winter Stars, University of Pittsburgh Press, 1985)

I woke very early this morning; five. Got out of bed (Off the futon; I have been sleeping downstairs the past few weeks.), made some coffee and started to seriously work on my CafePress Store--greetings cards first, and then the T-shirts. Later in the morning I went for a two-three-hour walk and photographed a few things along the way:

A few more here:

Beth was outside waiting for a taxi when I returned to Eastworks.

Sunday 04

Holidays. Another holiday weekend. I worked yesterday. Today I felt at a loss as to what to do with the day. I sat on the couch and contemplated backyard barbecues; the delicious scent of grilled soy-marinated steaks or dill dusted salmon; beer cans popping open; the laughter of children--all this is always now a memory; thus the holidays are always about loneliness and how memory seeks to keep the past whole---the future uncertain.

Chelsea called early this morning to say she was safely on her way to Texas. Her mom picked her up at two in the morning--five hours late. She came to take Chelsea and the two kids back to Texas. Chelsea left a note for Steve, her husband.

Saturday 03.

The Problem of The Pedestal. In his book, "Writings Interviews," Richard Serra writes:

Solving the problem of the base has been crucial to the development of sculpture. Some recent work ( essay written in 1970) attempts to circumvent or camouflage this dilemma by constructing  a series of points (surrogate bases) within the work which can support the lateral members splayed out above them. This is redundant, for if the floor actually functions as a base, there is no need to construct surrogate bases within the work to make the floor appear to function structurally. The debt to such solutions is obvious. When pieces are viewed from above, the floor functions as a field or ground for the deployment of decorative linear and planar functions. The concern with horizontality is not so much a concern for lateral extension as it is a concern with painting. Lateral extension in this case allows sculpture to be viewed pictorially--that is, as if the floor were the canvas plane. It is no coincidence that most earthworks are photographed from above.  The crucial problems confronting sculpture today are the avoidance of the concerns properly belonging to architecture and painting which, as Barbara Rose has indicated, have produced in the name of sculpture so much failed architecture and three-dimensional painting. Limitations of weight, physical properties, and materials cannot be imagined.

"We experience more than we can analyze."

~A.N.Whitehead

I stumbled upon this poem today:

Voices Between Waking and Sleeping in the Mountains

All afternoon you went walking,
Just you, all alone,
And what you went wondering about
I still don't know.

I was trying to find something in that mountain snow,
And I couldn't find it by walking,
So I lay asleep
For three good hours.
There is something in you that is able to discover the crystal.
Somewhere in me there is a crystal that I cannot find
Alone, the wing that I used to think was a poor
Blindness I had to live with with the dead.

But it was not that I was dying when I went asleep
When you walked into the snow.
There was something I was trying to find
In that dream. When I finally fought my way
Down to the bottom of the stairs
I got trapped, I kept yelling
Help, help, the savage woman
With two heads loaded me, the one
Face broken and savage, the other,
The face dead.

Two hands gathered my two.

And you sang: Why, what have you been dreaming?

I don't know, I said.
Where were you?

You said you just took a walk.

Annie, it has taken me a long time to live.
And to take a long time to live is to take a long time
To understand that your life is your own life.
What you found on that long rise of mountain in the snow
Is your secret. But I can tell you at last:

There used to be a sycamore just
Outside Martins Ferry,
Where I used to go.
I had no friends there.
Maybe the tree was no woman,
But when I sat there, I gathered
That branch into my arms.
It was the first time I ever rose.

If only I knew how to tell you.
Some day I may know how.

Meantime your hand gathered me awake
Out of my good dream, and I pray to gather
My hands into your hands in your good dream.

What did you find in your long wandering in the snow?
I love your secret. By God I will never violate the wings
Of the snow you found rising in the wind.
Give them, keep them, love.

-- James Wright

Friday 02.

A Long List. I am feeling somewhat over-whelmed; I have much I must complete before the end of the month; and the hours at work are diminishing.

More from Storm King.

Thursday 01.

Kristi. An internet friend. Smart. Sharp. Full of life. And love. Blessed with a way with words.

Kristi Michelle Buss
5/16/1976 - 9/1/2005


   Kristi Michelle Buss, 29, of Little Rock, Arkansas went home to be with the Lord in the early moments of September 1.  She battled cancer with matchless grace and purpose, always mindful of others’ needs and embracing every opportunity to witness for her Lord and Savior.  Disease took its toll on her physical body in this life, but the blessings yielded during her many years of struggle touched countless lives for time and eternity. 

    Heaven changed for the better on September 1, 2005. 

    Kristi often cited the following quote from D. L. Moody:

    “Soon you will read in the newspaper that I am dead.  Don’t believe it for a moment.  I will be more alive than ever before.”

    Kristi is survived by her husband of over ten years, Scott Alan Buss; her parents, Ralph Steven Kesler and his wife Kristi Rose Kesler and Susan Marie O’Barr and her husband Randy Louis O’Barr; a sister, Alicia Paige Kesler; grandparents, Richard and Sue Kesler and Phyllis and Mitch Mortvedt; and a host of beloved friends and family members.

   She was preceded in death by a grandfather, Arlin Johnson Holthoff.

   A memorial service will be at 2:00 p.m., Saturday, September 3, 2005 at Roller-Chenal Funeral Home Chapel (501-224-8300) with Pastor Rustin Cunningham officiating.

  

The library where she worked will be taking up a collection to build a permanent memorial to her honor

I stopped at Storm King Art Center today. I looked up. I called it "Heaven's Gate."

 

I call it now; "Kristi's Gate."